THE WAITING PERIOD
This show is an unrelenting look at a ten-day period in Copeland’s life—the mandatory ten-day waiting period before he could lay his hands on the newly purchased gun with which he planned to take his own life. Even in the midst of this tragedy, however, his wonderful sense of the comedy of life does not desert him (how much should he spend on the gun?), indeed serves him insidiously well as a buffer against the grim reality of his intention. Copeland hopes this very personal, and ultimately redemptive, story will reach people who struggle with depression—often called the last stigmatized disease—as well as their families and loved ones. Interspersed with interviews with other sufferers, the play, like so many Marsh stories, also offers outsiders an insider’s view, thereby expanding our understanding and, hopefully, our humanity.
THE JEWELRY BOX
In this hilarious and heartwarming prequel to his hit show “Not a Genuine Black Man,” beloved actor-playwright Brian Copeland recounts two memorable weeks in his youth when he took to the “mean streets” of Oakland to buy his mom the perfect Christmas gift. Rife with references to 1970s Oakland, “The Jewelry Box” follows six-year-old Brian’s adventures as he scours the help-wanted ads, applies for jobs and collects bottles, inching his way toward the coveted present, a jewelry box at the Hegenberger White Front store.